Lokadharmi premiere its new production Gajamanushyan, an adaptation in Malayalam of the play ‘The Elephant Man’ written by Bernard Pomerance
The play is directed by Dr.Terry Converse, (Professor of Theatre in the Washington State University School of Music and Theatre arts) and Translated into Malayalam by Chandradasan,(the artistic director of Lokadharmi ). The performance is at 7.00 pm on 4th May 2013, at Changampuzha Park Edappalli Ernakulam.
The Elephant Man is a 1977 play by Bernard Pomerance, Translated into Malayalam by CHANDRADASAN, and Directed by DR. TERRY CONVERSE, (WASHINGTON STATE UNIVERSITY USA) Produced and Performed by LOKADHARMI.
Cast SELVARAJ, SUJITH KOLLAM, CHARU, JOHNY THOTTUNKAL, JOLLY ANTONY, SHAIJU T HAMZA, MEENAKSHI. Set BHANUVAJANAN, Costume Design SHOBHA MENON, Costumer JOY PP, Lights SREEKANTH, Video Montage MANILAL PADAVOOR, Courtesy INDIAVISION, Properties JOLLY ANTONY, Sound Control TONY CHACKO, Projection Control JEBIN JESMES, Public Relation MADAN BABU, Assistant Direction MEENAKSHI, Set Design &Translation CHANDRADASAN Stage &Production Manager CHARU, Music, Projection Design & Direction TERRY CONVERSE (USA)
Dr. Terry was working with Lokadharmi for almost an year on a Fulbright fellowship program.
The story is based on the life of Joseph Merrick who lived in London during the latter part of the nineteenth century and is known for the extreme deformity of his body.
A horribly deformed young man, victim of rare skin and bone diseases, he has become the star freak attraction in travelling side shows. Found abandoned and helpless, he is admitted to London's prestigious Whitechapel hospital. Under the care of celebrated young physician Frederick Treves, Merrick is introduced to London society and slowly evolves from an object of pity to an urbane and witty favourite of the aristocracy and literati. But his belief that he can become a man like any other is a dream never to be realized.
The elephant Man is a winner of numerous Tony Awards including Best Play.
Bernard Pomerance is an American playwright and poet born inBrooklyn, New York in 1940. He is a very private man and there is very little information about his parents, his childhood, his early education, or his personal life.
Pomerance was a student at the University of Chicago, but then moved to London when he was in his early thirties. After moving to England, he began working with small, innovative theatre groups. His first play, High In Vietnam, Hot Damn was performed at the Interaction Almost Free Theatre in 1972 and directed by Roland Rees With director Roland Rees, he founded the Foco Novo theatre group, which produced Pomerance’s early plays. Other productions include Someone Else Is Still Someone (Bush Theatre, 1974), Melons (RSC 1985-6) and an adaptation of Bertolt Brecht’s A Man’s A Man (Hampstead Theatre, 1975).
Pomerance’s reputation as a playwright is based on one play, The Elephant Man, first performed in 1979 and then made into a successful Hollywood film in 1980. The play initially opened in London at the Hampstead Theatre before moving to New York and eventually opening on Broadway. For The Elephant Man, Bernard Pomerance won a Tony Award, the New York Drama Critics’ Award, an Obie Award, a Drama Desk Award, and the outer Critics’ Circle Award.
Several of Pomerance’s plays take as their subject politically weighted views of American history
Note from Terry Converse
As Merrick becomes the toast of Victorian society, his ambitious saviours are confronted with deformities of their own souls. In the early part of the twentieth century Jung argued that the personality could conceal itself behind a persona—or mask. The persona is a false personality that individuals adopt to facilitate social interactions. Although the mask can help in taking the rough edges off interpersonal relationships, it also poses a risk that the wearer will mistake it for his or her true personality. A persona becomes a problem only when a person becomes too attached to it and cannot put it aside. When a person cannot move flexibly between roles—when the mask can’t be removed—then the persona not only hides the person from others but also from himself. Merrick condition obliterated the possibility of his ever having a protective persona, and without a mask, he was forever exposed and vulnerable. Yet, Merrick’s lack of mask—his lack of protection—ironically made him less “freakish” than many of the more “protected” people who interacted with him.
When life hurls upon us such horrors as divorce, disease, and death, perhaps that is when we are most receptive to identifying with the Elephant Man, and tapping into what this play is really about—empathy and sensitivity.
He holds an M.F.A. in directing from the University of Minnesota and Ph.D. in Theatre Arts from the University of California at Los Angles. Prior to coming to Washington State University, he taught at Centre College in Kentucky, the University of North Dakota in Grand Forks and Livingston University in Alabama. Additionally, Dr. Converse has directed works for the Long Beach Grand Opera, the Guthrie Other Place Theatre, The Arkansas Art Center, Cherry County Players, Peninsula Players, and Theatre by the Sea. His text:Directing for the Stage: a Workshop Guide of Creative Exercises and Projects is published by Meriwether. He has presented papers and all-day workshops at the National Convention of Association for Theatre in Higher Education and at the Northwest Drama Conference. He has directed twenty-eight plays with university students and thirteen plays/musicals/operas in professional settings