Nation honours Ebrahim Alkasi, Arundhathi Nag, and Indira Parthasarathy with Padma awards

The Government of India honours the services of master director Ebrahim Alkasi with Padma Vibhooshan, while actor Arundhathi Nag and playwright Indira Parthasarathy are honoured with Padma Shri. Among the awardees veteran actor Zohra Segal (Padma Vibhushan) actor-dancer-activist Mallika Sarabhai, the singer cum theatre activist Puttaraj Kavi Gavai are conferred with Padma Bhooshan; dancer-choreographer-actor Gul Bardhan, Theatre Photographer Nemai Ghosh, Folk Singer performer Ram Dayal Munda, and Assamese playwright Arun Sharma are awarded with Padma Shri.

Ebrahim Alkasi

The one man who revolutionised modern Indian theatre with his productions, teaching and systematic meticulous endeavour, Ebrahim Alkasi, the former director of National School of Drama and mentor of many important theatre directors and actors is naturally the first choice to be accepted and acknowledged with the highest honour. He is the one, who made theatre activity a disciplined and scientific activity, infused his own perspective and vision as the dynamic face of Indian theatre practice and philosophy, the real Guru of the present Indian theatre- a living legend. The magnificence of his vision and the meticulousness of his technical discipline created the new theatre of India and still we cannot shake off his influences and go beyond him in theatre pedagogy, vision, practice, approaches, form and even content.

For Alkasi theatre was a complete practice and meticulous attention is given from preparing the acting area, treatment and interpretation of text, and transforming to the visual imagery and designing the set and scenario. He wanted NSD to match with international standards in professionalism, academic depth and specialised skills, which he could very well achieve. His training from RADA was a model and he was striving for minute aspects on every stage in the play production. Acting, directing and stage management was merging into one in his theatrical practice and pedagogy.

“I developed a visual approach to the theatre,” Alkasi says, “as opposed to just a literary approach. I was very concerned with how the stage would look, and with the overall design.”

He has directed over 50 plays, including famous productions of: Girish Karnad's "Thuglaq", Mohan Rakesh's "Ashad Ka Ek Din" and Dharmvir Bharati's "Andha Yug". Many believe that it is the unique production of "Thuglaq", performed against the backdrop of Delhi's Purana Qila launched the playwright Girish Karnad to public attention. All the 50 plays he directed established definite norms of production and interpretation.

After retiring from NSD about 30 years ago, he has remained active in the artistic sphere — collecting and documenting old photographs and paintings, conceptualising and curating exhibitions.

^.He has received awards many awards including Roopwedh Pratishtan's the Tanvir Award (2004) the Padma Shree, Padma Bhushan, Sangeet Natak Akademi Fellowship for his contribution to theatre.

Zohra  Segal

Zohra Segal (born 1912), the doyen of Indian theatre, an actor of theatre and films, a dancer and choreographer, is honoured with the highest civilian award the Padma Vibhooshan. Born in an aristocratic Muslim family, Zohra decided to pursue art and dance as her career, joined Mary Wigman's school in Dresden in the 1930s to study Modern Dance; abandoned her Purdah; returned and joined Uday Shankar's troupe, as a dancer and dance teacher.

Her association with The Indian People's Theatre Association, IPTA, was natural and mutually complimenting. She had been active in many of IPTA productions, and was the wise-president of the organisation for few years. Her film debut was in IPTA's first film production, directed by Khwaja Ahmad Abbas, Dharti Ke Lal in 1946; she followed it up with another IPTA supported film, Chetan Anand's Neecha Nagar in the same year, the film became the first Indian film to gain critical international recognition and won the Palme d'Or (Golden Palm) at the Cannes Film Festival.

The association with Prithviraj Kapoor lasted for 14 years and she played the lead female role in many of his productions and she travelled all over India and abroad with the company.

She has worked with many of the important theatre directors in India starting from Prithviraj Kapoor, Ebrahim Alkasi, (played the role of Begum Qudisa in the play Din Ke Andhere), K.A. Abbas, (many IPTA productions) to younger directors like Roysten Abel ("The Spirit of Anne Frank")

She did choreography of a few Hindi films as well, including the famous dream sequence song in Raj Kapoor's film Awaara.

She first performed poetry at a memorial to Uday Shankar in 1983, and started getting invited to perform poetry at various occasions, recite verses; impromptu performances of Punjabi and Urdu verses have become a new norm.

In 1993, a critical acclaimed play, Ek Thi Nani, was staged in Lahore for the first time, featuring Zohra and her sister Uzra Butt now staying in Pakistan. The play is based on the lives of Zohra and Uzra, who were separated by the Partition of India in 1947, and re-united only in the late 1980s, after a gap of 40 years. This was performed several times both in India and Pakistan.

She was awarded the Padma Shri in 1998, Kalidasa Samman in 2001 and in 2004, and the Sangeet Natak Akademi Fellowship for lifetime achievement.

Mallika Sarabhai

Mallika Sarabhai (born 1954) is a dancer, choreographer, publisher, activist, writer, actor and humanist – she loves to call herself a passionate communicator – is among the Padma Bhushan awardees this year. Born to the dancer Mrinalini Sarabhai and the space scientist Vikram Sarabhai, Mallika was trained in classical dance forms like Kuchipudi and Bharatanatyam from her childhood; but she started to experiment with forms and movements to create and choreograph something contemporary and universal; Soon she was creating and performing both classical and contemporary works.

She first came to international notice when she played the role of Draupadi in Peter Brook’s milestone production of The Mahabharata. Her collaboration in theatre continues in works like "Shakti - The Power of Women" a piece on the image of Indian women, written with John Martin; "Sita's Daughters", a performance piece on women's issues like rape, female feticides, and the deification of women, in three languages, developed with women activists: "Itan Kaham - The Story of Stories", teamed up with Nigerian performer Peter Badejo to throw light onto matters of cultural manipulation, directed by John Martin/Pan Production, London: "Kalyug - The Circle of Paradise", directed by John Martin/Pan Production, London; "V For...", directed by John Martin, choreographed by Mallika Sarabhai.

Mallika Sarabhai also wrote the scripted the play Unsuni based on Harsh Mander's book Unheard Voices, and directed it - a production that travelled all across India. Recently she acted in Berthold Brecht's Indian adaptation of The Good Person of Szechwan directed by Arvind Gaur.

Currently Mallika's theatre work has evolved into a new and vital form challenging people's preconceptions. Using her natural charm and with, a strong voice and her ability for story- telling and for directly addressing her audience with conviction, as well as her movement and dance skills, serious subjects with a desire for a social change .She works in rural areas, slums, with interactive projects including artists together with sociologists, scientists and local people often leading to community performance. She is in an attempt to relate art as a tool for social change, dance with the activism, and to create a form of theatre that can speak directly in the people’s language, direct in its metaphor, and imagery. She is not compromising when she has to speak out; like that she accused the Modi government of Gujarat in its role in the mass murder and riot in 2002.

She, along with her mother, manages the Darpana Academy of Performing Arts located at Ahmadabad.

Puttaraj Gavai

Pt. Puttaraj Gavai a born-blind, poet and musician, a gifted writer, an able administrator and a theatre activist is awarded with Padma Bhushan.

Puttaraj Gavai has given innumerable performances and has been considered as one of the pioneering feats of Theatre Movement in the North Karnataka. Being solely dedicated to furthering the art of stage drama, this dramatic company has produced thousands of stage artists who have earned national and international fame. 

Puttaraj formed a theatre company so as to make money for providing free food and shelter to hundreds of lame and blind orphans and educating them as well. He said that by doing so could also contribute to the culture of theatre, but also bring in some profits. Thus,”SriGuru Kumareshwara Krupa Poshita Natya Company“was established. The first play “Sri Sivayogi Sidharama”; written and directed by Puttayya and staged in Naragunda was well received and brought in some much needed profit. This was followed by many other successful productions through which the drama company became famous in the state. The theatrical ventures of this blind author were widely appreciated. He composed songs in Hindustani style of music that also was widely accepted.

In 2007, the Madhya Pradesh Government presented him the “Kalidasa Samman”. The other awards that he has got include Karnataka Rajyotsava Award (1970), Kanaka Purandara Prashasti (1998), Nadoja Prashasti (1998), and Kendra Sahitya Nataka Academy award (1999), Basavashri Award (2002).

Arundhathi Nag

  One of the few talented multi-lingual actors that Indian theatre Arundhathi Nag, was also awarded with Padma Shri this year. I remember the exemplary acting Arundhathi Nag did in Girish Karnad’s Bikhre Bimb that won her the Meta award for best actress for her in 2008. She excelled as Manjula Nayak an ordinary Kannada writer who suddenly becomes wealthy and internationally famous by writing a best-seller in English and also as her own image that plays as the confessor, psychologist and inquisitor. She was carrying the whole play literally on her shoulders acting as the live character of Manjula and as the image that appear in TV screen.

Arundathi Nag started her acting career first in Mumbai where got involved with Indian People's Theatre Association (IPTA), and did various productions in Gujarati, Marathi, and Hindi theatre; The important plays include the Gujarati adaptation of Peter Shaffer’s Equus and Badal Sircar’s Pagla Ghoda. In Marathi Vijay Tendulkar’s Gidhade directed by Kamlakar Sarang includes; The IPTA productions include Aakhri Sawal and Shatranj Ke Mohre.

After her marriage to Kannada actor-director Shankar Nag she moved to Bangalore and continued her theatre there. After the demise of Shankar Nag, Arundhathi shouldered to materialise the dream project of her late husband, the Ranga Shankara theatre, in Bangalore. Today along with her acting assignments in theatre and films she manages her dream theatre ‘Ranga Shankara’ -- the theatre that is filling the void of alternative and intimate theatre spaces in the country.

She was awarded the 2008 Sangeet Natak Akademi Award in Theatre Acting.

Gul Bardhan

Gul Bardhan, the choreographer, dancer who leads the Little Ballet Troupe Bhopal, is awarded with Padma Shri.

The Little ballet Troupe she started with her husband Shanty Bardhan in 1953, pioneered this form of ballet in India which used human puppetry, dance, movement, music, folk and tribal dances, masks etc, and a form they inherited from the legendary Uday Shankar. In 1954, Shanty Bardhan died and she had to shoulder the troupe on her shoulder which she successfully carried out; the long and strenuous journey of the troupe fraught with difficulties, pain and loss with its unique shows through the length and breadth of India and abroad, became her life mission. The group has a repertory of 36 full length ballets and a number of smaller pieces like Saraikalla Chau, and Mayurbhanj Chau. India immortal, Uttar Priyadarshi, Mahabharata etc include the ballets she had choreographed. She had edited a book ‘Rhythm Incarnate’ profiling the Shanti Bardhan, her late husband and Guru.

Awards from several countries (including the Sangeet Natak Academy Award and M P Shikhar Samman in 2001) have followed her in her illustrious career.

Nemai Ghosh

  Nemai Ghosh conferred with Padma Shri is known popularly as the ‘photographer of Satyajit ray’ who photographed Satyajit ray and other film directors like Ritwik Ghatak, Gautam Ghosh, MS Sathyu etc in and out of the sets, and captured their passion and eccentricities. But the first love of Nemai was theatre and he started as an actor of the Little Theatre group of Utpal Dutt. Later Nemai broke away from LTG to create a group named Chalachol which functioned for few years.

His concentration was moving to photography and it became his passion and profession. In his career he had photographed the experimental theatre of Kolkata regularly. His collection of theatre photography with more than 12,000 pictures Nemai has taken over 12,000 photographs of the works of actors and directors like Sombhu Mitra, Utpal Dutt, Tripti Mitra, Badal Sircar, Ajitesh Bandyopadhyay, Manoj Mitra and Bibhas Chakraborty are included in his book titled ‘Dramatic moments’. This is a record and history of the theatre of Kolkota from the 1960’s.

"Shooting with no flash and at slow-shutter speeds to capture those dramatic moments has always been thrilling," Nemai Ghosh says, “At no point did I lose touch with theatre and its progress. I was no longer a part of it, but I watched from a distance through the lens of my camera. It was as if the camera was an extension of myself that built an invisible bridge between me and the stage."

Ram Dayal Munda

Ram Dayal Munda, the former Vice Chancellor of Ranchi university, born in 1939 in Diuri village in Jharkhand was given Padma Shri for his contribution in promoting traditional music of his people, who himself is a trained singer and performer of various instruments.

Immersed in the culture of the region, Shri Ram Dayal Munda built up a troupe of dancers and musicians in his student days itself and has lead this group to sing, dance and perform all over the world, throughout his career that ranged as a research student in Chicago, a teacher at Minnesota University, and at Tokyo, Syracuse, and Australian National Universities, and later as the vice chancellor of Ranchi University. He kept his link with the culture of Jharghand, his tribe and their language, music and dance wherever he was, and lead the group of artists, which he continues till day after retirement. Munda has tried to integrate traditional performance culture in modern-day life, validate it and also empower the dancers and performers to have a better life with due exposure they deserved. His troupe led the Indian cultural contingent in the festival of India in the U.S.S.R. in the 1987, and in 1989 toured the Philippines, China, and Japan. Thus practically, Munda has demonstrated his commitment to traditional culture and his oft-repeated motto of life—Nachi se banchi, Dance to live.

Shri Ram Dayal Munda had earlier received the Sangeet Natak Akademi Award for his contribution to the tribal music and dance of Jharkhand.

Arun Sharma

Arun Sharma, who was instrumental in modernising Assamese drama through his scripts that related with the new tendencies from the west, is awarded with Padma Shri. His plays show avant-garde anti-realistic tendencies with strokes of absurdism, symbolism and allegory. The most important works include Nibaran Bhattacharrya, Purush, Kukurnechia manuh, Ahar etc, which are landmarks in the history of Assamese dramatic literature. His latest play Anya ek adhyay is a play dealing with terrorism.

His plays are modern with a contemporary sensibility but were not frequently performed. He also keeps good contact with the touring theatre companies typical of Assam and writes plays for them, which of course are widely performed all over Assam.

He is also a novelist and worked as a broadcaster with All India Radio. He had been awarded with the Sahitya academy award.

Indira Parthasarathy

It makes me happy to see the name of Indira Parthasarathy, one of the pioneers of the modern drama and theatre of Tamil in the list of Padma Shri awardees. Eee Paa as he is popularly knows has written many path breaking plays including Aurangaseb, Pasi (Hunger), Mazhai (Rain), Veed (Home), Porve Porthiya Udalkal (Bodies wrapped in Blankets), Koil (Temple), Iruthiyattam, Kalayanthrangal (Time machines), Ramanujar, and Nandan Kathai (The story of Nandan). (Lokadharmi had produced and performed Nandan Katha in Malayalam and I remember his exemplary presence during one of the shows of the play. Nandan Katha depicts the stigmatised world of untouchables who confront a society that robs man of his dignity)

His plays are unique in its analytical nature; analysis of the social structure, power relationships prevailing, yet not dogmatic. He uses history and myths to illustrate the inequalities of the contemporary society and its present day reality; to reflect the sensibility and the social concerns of his time and his soil. His plays echo a high degree of social analysis and political conciseness, which often is leaning towards the marginalised and oppressed class of the society.

He is also a renowned editor and a fiction writer. He has worked as a professor in the various universities of Delhi, Poland, and Pondicherry.

He has won several awards including the Sangeeth Natak Academy, Sahitya Academy and Saraswathi Samman .

Sangeeth Natak Akademi Awards to SRamanujam, Probir Guha, Arundhathi Nag

It is so happy to see the dear and near to theatre is accepted and honored. This year’s awards went to the theatre guru to many including me S.Ramanujam, Veteran actor Arundhathi Nag and director Probir Guha among others.

Legendary stage designer of Bengali theatre Khaled Chowdhury was awarded with the fellowship. 86-year-old Chowdhury remained behind the scene to create a revolution on the Bengali theatre for more than 50 years, as part of many landmark productions in Bengali theatre. He also is a book illustrator, cover designer, folklorist and musicologist.

“His way of working is unique. He knows how to use stage space particularly well. He creates both realistic and naturalistic sets. Through his works, the stage itself becomes a character,” says veteran director Kumar Roy.

Over the last five decades, Chowdhury has worked in landmark productions like Raktakarabi, Putul Khela, Pagla Ghoda for Sombhu Mitra, Shuturmurg, Evam Indrajit for Shyamanand Jalan, Dakghar and Gudia Ghar for Tripti Mitra.

“Before him, the emphasis of Bengali theatre was on actors and actresses and their acting prowess. Chowdhury made people understand that stage designing was an equally important element of theatre, an aspect that was overlooked in Bengal,” says noted art critic, Samik Bandyopadhyay. “He always said there are certain plays that have more than one interpretation. For example, in Sombhu Mitra’s Raktakarabi the emphasis was more on the king, while in Tripti Mitra’s version Nandini had more importance. Chowdhury crafted the set accordingly…What distinguishes him from other stage designers is that he reads the plays in a probing manner. Sometimes he also uses symbolic objects and not only representational ones,”

Veteran theatre personality, Usha Ganguly of Rangakarmee, who has worked with Chowdhury in Sarhad Par Manto and Badnam Manto says: “For us in Rangakarmee there are two gurus. One was Tapas Sen, who expired recently; the other is Khaled Chowdhury. There are very few artists who lead their life the way they work. Khaled da is one of them. His lifestyle is similar to what he believes in.”

Markand Bhatt And Arundhati Nag For Acting

Prof. Markand Bhatt (Gujarat) who was the head and dean of MS University's Faculty of Performing Arts for several years has been selected for the award in acting. Bhatt has been associated with theatre and acting for last six decades. He has extensively traveled both within and outside the country with his theatrical presentation. He was the first chairman of Gujarat Sangeeth Natak Akademi when it was started in 1992.

One of the few talented multi-lingual actors that Indian theatre Arundhathi Nag, was also awarded this year. I remember the exemplary acting Arundhathi Nag did in Girish Karnad’s Bikhre Bimb that won her the Meta award for best actress for her in 2008. She excelled as Manjula Nayak an ordinary Kannada writer who suddenly becomes wealthy and internationally famous by writing a best-seller in English and also as her own image that plays as the confessor, psychologist and inquisitor. She was carrying the whole play literally on her shoulders acting as the live character of Manjula and as the image that appear in TV screen. Today along with her acting assignments in theatre and films she manages her dream theatre ‘Ranga Shankara’ in Banglaore -- the theatre that is filling the void of alternative and intimate theatre spaces in the country.

S. Ramanujam and Probir Guha, The directors

“It is yet another life,” says Ramanujam about his dramas. He started his career as a school teacher in Gandhigram in Dindigul district and later studied theatre arts at National School of Drama, Delhi, (1963-1967) with Alkazi as his guru, and specialized in Children’s theatre.

He was the one of the main associates of G.Sankara Pillai and was instrumental in envisaging The School of drama at Trissur and had worked as an assistant director of the school. Also he was the Head of the Department of Drama, Tamil University, Thanjavur. He is now involved in the revival of Kaisika Natakam, a 4-century-old Tamil traditional theatre form.

He has conducted a number of theatre workshops and directed plays in Tamil, Malayalam, Hindi, Telugu and English. Important plays written by him include Mouna-k-kural, Chembavalakali etc. He Directed over 40 plays in Tamil, Malayalam, and Hindi including Karutha Daivathe thedi (Sankara Pillai),Veriyattam, adaptation of Trojan Women using native oppari dirges, and Max Frisch’s Andorra.

This award is recognition to his endeavor in theatre that came very late. With great gratitude, I acknowledge the love, care and encouragement he had showered on me, and that I am privileged to be his student.

The second director awarded is my friend Probir Guha, on whom I have written a blog earlier.

Playwrights - Mudra Rakshas (Hindi) and Narsingh Dev Jamwal (Dogri)

For Playwriting the award went to Mudra Rakshas who writes plays and novels in Hindi. He had also adapted many other plays into Hindi.

Born on February 28, 1931 in Bhalwal Village of Jammu district, Narsingh Dev Jamwal widely recognized within and outside the State as a writer, sculptor, playwright, novelist, short story writer, essayist, lyricist and actor. His contribution to the development of Dogri language and literature has been recognized by the many awards he won including one by Sahitya Akademi, way back in 1978. Narsingh Dev Jamwal has so for contributed 9 books of poetry, 4 of Short-stories, 3 Novels and 27 books as playwright of Dogri and is considered as one of the leading writer and theatre artistes of the country.

Amba Sanyal for Costume Designing

Amba Sanyal who studied at the College of Art (New Delhi) and the Beaux Arts (France) is a visiting faculty in NSD and is an exemplary costume designer for film and theatre. Her recent works include “Layla Majnun”, penned by Ismail Choonara and directed by Ram Gopal Bajaj, and Kalidasa’s Vikramorvashiyam directed by KS Rajendran. Her sense of color, fabric and design that kept in mind the physical movement of the actors, and her coordination with lighting designer makes her work outstanding.

Other awardees this year include Bansi Lal Khiladi (Khayal, Rajasthan) Shakuntala Nagarkar, Lavani (Maharastra); Birbar Sahoo, Gotipua (Orissa); Mangi Bai Arya, Mand (Rajasthan); L. Heramot Meitei, Thang-Ta (Martial Art, Manipur); Lakha Khan Manganiyar, Folk Music (Rajasthan); Hildamit Lepcha, Lepcha Music (Sikkim); Kartar Singh, Gurbani (Punjab) and Lakshman Das, Hari Katha (Karnataka), artists from traditional theatre.